“Jen Tullock’s solo show, written with Frank Winters and inspired by Tullock’s upbringing in an evangelical church, stealthily, brilliantly complicates a trope that has become gospel in the theater, television, and publishing industries… There’s a lot going on in this little solo play, and viewers might be tempted to tune out of what occasionally feels like a jumble of overlapping voices and scenes. But that exquisite mess is essential to the story Tullock and Winters are telling about the human brain as a palimpsest on which new truths are written even as traces of the old remain. Nothing Can Take You From the Hand of God is the dramatic equivalent of watching a spinning coin. Heads and tails blend together and we have no idea which side will land up. That confusion and uncertainty feels like a quintessential American experience right now.” — Zachary Stewart, TheaterMania

“Tullock, Winters & Mezzocchi unravel faith, memory & myth with dazzling complexity—offering not one truth, but a fractured, haunting multitude….. For all its intellectual rigor and metatheatrical pyrotechnics, Nothing Can Take You from the Hand of God is most remarkable for its emotional honesty. It understands that people are capable of both horror and grace, that belief can wound and heal in the same breath, that no one person owns a story. In an age when so many narratives are flattened for virality, here is a play that insists on messiness, on multiplicity, on the irreducible complexity of being alive. It is not, thank God, a neat play. But it is a necessary one.” — Tony Marinelli , TheatreScene.net